Asleep At The Wheel - Sea Oleena
i’m so obsessed with Sea Oleena. so good.
(via takethesuninmymouth)
Asleep At The Wheel - Sea Oleena
i’m so obsessed with Sea Oleena. so good.
(via takethesuninmymouth)

This song is just so god-damned catchy. Dat bass.
Listen to “Walking On A Dream” here.
Malkmus opens and drives this track with remarkably incoherent rambling, providing an ambiguous source for any meaning (you’d really have to reach for it). The wobbly bass and the messy, catastrophic madness of the music seems out of place at first, but this is the notion of Pavement. If you define them loosely in terms of punk music, you could say they are masters at deriving and/or creating a method out of the madness. 
Pavement are simply incredible. They prove that melody, harmony and beauty can be not only subjectively identified, but discovered in almost anything. Wowee Zowee, the album this track appears on, is an absolute masterpiece. The track is simply fun. The simple 2 chord progression and wacky verbiage thrown around make the song dance-able and upbeat. The music is loose but never inaccessible.
If only someone could figure out exactly what Malkmus is shouting about then maybe we could gain some insight into the context of the track- maybe we could see, we could see, we could see. Until then, let’s just rejoice at what a marvel of modern indie rock this song is, and at what a perfect and necessary band Pavement is. They’ve essentially shaped the face of independent rock and will continue to push their atmospheric influence for years to come.
Listen to “Best Friend’s Arm” here.

I had the opportunity to watch one of my favorite bands from box seats at Stage AE in Pittsburgh last Friday. They put on a wonderful show with a surprising set list - comprised of a lot of classic mouse songs from the late nineties and not so much new material, as I had previously (and halfheartedly) anticipated. It was, of course, an amazing show. Talkdemonic opened for them and were also very good. Set list below:
1. Gravity Rides Everything
2. Bury Me With It
3. Unknown
4. The View
5. Broke
6. Satin In A Coffin
7. King Rat
8. Dramamine
9. Dashboard
10. Ansel
11. Missed The Boat
12. Shit Luck
13. Education
14. Custom Concern
15. Black Cadillacs
-Encore-
16. Poison The Well
17. Fire It Up
18. Tiny Cities Made Of Ashes
19. Dance Hall
20. You Ain’t Goin’ Nowhere (Bob Dylan cover)

Band of Horses are powerful musicians. Their blend of rock and pop is equivalent in its formula. This track expresses the breadth and wideness of the band’s sound. It drones on loudly and stunningly.
Listen to “The First Song” here.

I’m too lazy to write today, honestly. Here’s a classic from the 90’s.
Listen to “High” here.

While Black Kids’s debut album, Partie Traumatic, was an atrocity, their previous EP, Wizard of Ahhhs, was a small gem. Each song is forged out of indie-pop goodness. Hit the heartbrakes is a good example.
Listen to “Hit the Heartbrakes” here.
Since I’ll be seeing them this Friday at Stage AE in Pittsburgh, I’ve decided to dedicate this week’s playlist to one of the greatest independent bands of all time: Modest Mouse.
5. Head South

^That’s the cover art.
It’s called “Centipede Hz” and will be released on Domino on September 4. Here’s the track list:
1. Moonjock
2. Today’s Supernatural
3. Rosie Oh
4. Applesauce
5. Wide Eyed
6. Father Time
7. New Town Burnout
8. Monkey Riches
9. Mercury Man
10. Pulleys
11. Amanita
From Pitchfork:
Lovers of early Animal Collective, rejoice: Weitz said the band has moved away from Merriweather Post Pavilion’s sound and “back to our roots.”
The band members all moved back to the Baltimore area to record together. Weitz said, ”We got a little practice space in this barn on Josh [Dibb, aka Deakin]’s mom’s property and it was basically like being a garage band again.”
That means you’ll find less sampling on Centipede Hz than on Merriweather, and more organic instrumentation. “This one we wrote more as a rock band in a room and we wanted to record it that way as well.” Weitz also mentioned that they’ve played most of the music on the record live on tour over the past year.
You never know how much of an impact music from previous decades can have on a band’s collective psyche. Such is the case for Wilco in their song “You Never Know”. George Harrison’s “My Sweet Lord” is channeled gorgeously through the uplifting and layered brilliance of this track. Wilco is a band that continues to push the limits of reflection. They emphasize the importance of the past while crafting something much more original and polished. It seems that they serve to reinvigorate what has already blossomed, and this is absolutely necessary. Thank them for that. 
This track, with its playful piano and upbeat percussion, breathes with a blissful fulfillment. The chord progressions are majorly inspiring and especially pleasing to the carefully attentive musician. The bass line indulges itself in perfection underneath the heavenly layers of electric, fuzzy guitar (especially in the solo, which is reminiscent of Harrison’s fuzz on All Things Must Pass). It encourages the rest of the song to bop along happily as it does. George Harrison and the Chiffons would be proud to hear this piece because it especially captures not only their chord structure and feeling, but their sense of higher being - of omnipotence. There’s not one flaw to be found in this angelic track.
The lyrical themes are just as carefree as the music. As a matter of fact, the sense of attained peace and acceptance we feel in the song is echoed during the chorus’s repeated line - “I don’t care anymore”. It’s viscerally stunning how open and influential the song feels, though we’ve heard its message before from distant relatives. History repeats itself not only through forgetfulness and ill humanity, but through tradition and beauty as well. Give this track more than one listen - It deserves your full attention.
Listen to “You Never Know” here.

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